In her work presented in 2013, I noticed some pantheistic hues. The Odamaki ensemble presented solo this year offers much more to day, while remaining in the sharpness of a more general spiritualist impregnation. I noticed first the beautiful unity of tone, strengthened by the omnipresence of a sumptuous color, a red. Each painting seems to me to be a small spiritual adventure emanating from the richness of the artist’s inner world, enriched by her observations, her reverie, perhaps even her memories and even her obsessions. I believe I can relate it to a great Surrealist painter less well known than Dali or Milo, but whose work is important. It is the Jaques Herold whose aerial, fluids, sometimes fluctuating forms are appreciated. Some works by Odamaki could be similar to the automatic writing experience.

Art Critic / Roger Bouillot (France)